Pattern Recognition

Bathurst Regional Art Gallery (BRAG) presents Pattern Recognition by Liz Bryan in the Foyer Gallery.

Liz Bryan is a visual artist and designer working across drawing, painting, textiles, sculpture and digital media. Her practice is shaped by an ongoing interest in esoteric knowledge, mythologies and ritual, and engages with themes of womanhood, place, and the hidden or overlooked histories of feminine experience. Moving fluidly between art and craft, Bryan’s work also reflects on the intersections of science, mysticism and material knowledge.

For Pattern Recognition at BRAG, Bryan presents a body of work that explores the microcosmic world and the underlying geometry inherent in biological structures. Informed by sacred geometry and esoteric traditions outlined in Plato’s Timaeus, the exhibition draws on the symbolism of the five Platonic solids—earth, water, air, fire and ether—as metaphors for both physical and metaphysical systems. The relationship between microcosm and macrocosm, particularly as seen in DNA structures and natural patterning, underpins the work.

Referencing artists such as Annie Besant, Hilma af Klint and Alexander Calder, Bryan investigates the esoteric potential of shape, line, colour and form. Historic textile motifs, including ogee forms and repeating half-brick patterns, further inform the visual language of the exhibition. Through sculptures and paintings, Pattern Recognition reveals pattern as a connective force—linking matter, meaning and the unseen structures that shape our world.